So What Chord Progression (i7 bii7)

The So What shift is the chord progression i7-bii7. In the key of C minor it is Cm7 Dbm7, and in the Nashville Number System it is written 1m(7) b2m(7).

It is also known as Dorian half-step shift.

Chords from outside the key of C minor: Dbm7.

Jump to the chords and audio in C, G, D, A and E

Why it works

A whole section in Dorian on one chord moves up a half step to the same mode on the next root, then back. Nothing functions as a cadence: the sudden move itself is the only harmonic event. It is the defining form of modal jazz, used as a large form across 32 bars rather than as a loop.

Songs that use it

These are the chords as played in each song, in the song's own key.

SongArtistSectionChordsKey
So WhatMiles DavisAABA form, B sectionDm7 Ebm7D minor
ImpressionsJohn ColtraneAABA form, B sectionDm7 Ebm7D minor

So What Chord Progression: Chords and Audio in C, G, D, A and E

Press play to hear each key. The diagrams show the shapes used in the audio, and every chord links to its full page.

Key of C minor

Key of G minor

Key of D minor

Key of A minor

Key of E minor

More progressions like this one

All guitar chord progressions →

FAQ

What are the chords of the So What shift in each key?

In C minor: Cm7 Dbm7. In G minor: Gm7 Abm7. In D minor: Dm7 Ebm7. In A minor: Am7 Bbm7. In E minor: Em7 Fm7.

Which songs use the So What shift?

Songs that use it include So What by Miles Davis, Impressions by John Coltrane.