V-IV-I Turnaround

The V-IV-I turnaround is the chord progression V-IV-I. In the key of C major it is G F C, and in the Nashville Number System it is written 5 4 1.

It is also known as blues turnaround.

The same loop is also written I-V-IV.

Jump to the chords and audio in C, G, D, A and E

Why it works

V falls to IV and then to I, the reverse of the classical order, so the dominant unwinds instead of resolving directly. It comes from bars 9 to 11 of the twelve-bar blues and carried over into rock. It is diatonic to the major scale, though blues players usually use dominant sevenths.

The same loop as I-V-IV

The primary triads in reverse of the textbook order: V falls to IV instead of resolving to I. That backward step takes the tension out of the dominant and gives a relaxed, open rock sound. It is diatonic to the major scale. The closed form I-V-IV-I is the same loop.

Songs that use it

These are the chords as played in each song, in the song's own key.

SongArtistSectionChordsKey
Bad Moon RisingCreedence Clearwater RevivalverseD A G DD major
Twelve-bar bluesTraditionalbars 9 to 11E D Aa major
BudapestGeorge EzrachorusC Bb FF major
Maggie MayRod Stewartpre-chorus and chorusA G DD major
Magic Carpet RideSteppenwolfverseD C GG major
Yellow SubmarineThe BeatlesverseC# B F#F# major
The MiddleJimmy Eat Worldintro, verse and chorusD A GD major
Drift AwayUncle KrackerchorusB F# EB major
The RoseBette Midlerintro and verseC G FC major
Dream PoliceCheap Trickintro and chorusE B AE major

V-IV-I Turnaround: Chords and Audio in C, G, D, A and E

Press play to hear each key. The diagrams show the shapes used in the audio, and every chord links to its full page.

Key of C major

Key of G major

Key of D major

Key of A major

Key of E major

More progressions like this one

All guitar chord progressions →

FAQ

What are the chords of the V-IV-I turnaround in each key?

In C major: G F C. In G major: D C G. In D major: A G D. In A major: E D A. In E major: B A E.

Which songs use the V-IV-I turnaround?

Songs that use it include Bad Moon Rising by Creedence Clearwater Revival, Twelve-bar blues by Traditional, Budapest by George Ezra.