Accessible Page: D# Dominant Seventh Suspended Fourth Guitar Chord Fingering
Chord Diagrams in Text Format For Blind and Visually Impaired People
This is an accessible, text-based page for the D# 7sus4 guitar chord, suitable for screen-reader software.
Go to the complete list of chord diagrams in textual form.
For the visual page, with graphic diagrams and colors, go to this page
D# 7sus4 Description
The intervals in the D# Dominant Seventh Suspended Fourth chord are Root, Perfect Fourth, Perfect Fifth, and Minor Seventh
Different notations for the D#7sus4 chord:
- D# Dominant Seventh Suspended Fourth
- D# Dom7sus4
- D# 7 Suspended 5
- D#7sus4
The notes of the D# Dominant Seventh Suspended Fourth chord are D#, G#, A#, and C#
Learn 3 positions for this chord
Position 1
Fingers Positions
- Mute the low E string
- Mute the high E string
- Place your index finger (1) on the fret 4 of the B string
- Place your middle finger (2) on the fret 6 of the A string
- Place your ring finger (3) on the fret 6 of the D string
- Place your pinky finger (4) on the fret 6 of the G string
Position Characteristics
- This position is movable
Audio file
Listen to the mp3 audio of this chord positionPosition 2
Fingers Positions
- Mute the low E string
- Place your index finger (1) on the fret 6 of the A, G and high E strings at the same time
- Place your ring finger (3) on the fret 8 of the D string
- Place your pinky finger (4) on the fret 9 of the B string
Position Characteristics
- This position requires barre
- This position is movable
Audio file
Listen to the mp3 audio of this chord positionPosition 3
Fingers Positions
- Place your index finger (1) on the fret 11 of the low E, D, B and high E strings at the same time
- Place your ring finger (3) on the fret 13 of the A string
- Place your pinky finger (4) on the fret 13 of the G string
Position Characteristics
- This position requires barre
- This position is movable
Audio file
Listen to the mp3 audio of this chord positionBack to the complete list of chord diagrams in textual form.
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