Main Challenges for the Fretting Hand

Some Technical Difficulties You Should Be Aware Of

Often when playing the guitar beginners and intermediate players tend to focus on the picking hand more. Beyond making sure the chord is fretted right, our attention moves to the strumming or playing of the notes.

However we need to spend more time on developing our strength and working on the main challenges of the fretting hand.

Finger Strength

One of the first challenges we encounter with our fretting hand (which is the left hand for most players, but not all) is strength in general. If we are having trouble playing chords, scales, or arpeggios it may mean we need to develop a stronger hand, or potentially have the action on the guitar checked.

A common way to develop more power in the fingers is to try new songs and chords often.

While it is important to practice in repetitive ways to develop muscle memory, we also need to jar that repetition every now and again. Try different inversions of chords, barre them higher up the frets, and even add new bass notes in.

Adding melodies and riffs into your chord progressions are not only great practice, but they also help develop core strength.

The Pinky in Particular

It's not just the guitar, almost all plucked string instruments cause pinky troubles. For most people that smallest digit does not get much use or exercise so it is always a pain to develop it.

And the word pain is not used lightly, you must take care when training your pinky as you can injure it with over use. Always add pinky guitar practice in small amounts at first, little flourishes amongst your chord playing.

Pinky exercises are perfect for practice but they can get boring, one genre that uses a lot of that finger is funk. That style consists of muted chords and times where we use our pinky to play 9th or 13th chords. It also helps build fretting hand strength when playing muted chords, so working through some basic funk riffs is perfect for the whole hand and the pinky.

Another straightforward way to use the pinky more often is to play powerchords using the index and the pinky finger (image 2 and 3 in the picture below)

power chords with pinky

The Correct Thumb Position

When we first start playing guitar we are taught to keep the thumb in the back of the fretboard for support, which is good advice for beginners. But as you advance in skill it becomes clear that the thumb has different positions depending on what you are playing.

In some cases we will end up wrapping the thumb around the top partially for grip and sometimes to play bass notes in muted chords.

When we shred or play arpeggios up the neck our thumb position may be better suited as support from behind. When we pick the goal is to conserve as much movement as possible, the same goes for fretting our notes.

We need to make sure the thumb is being used right and not getting in the way or slowing us down. Besides knowing the various thumb positions you must be mindful of where you are using them.

A proper thumb position is crucial to achieve good bending skills.

Relax and Find a Better Hand Position

As a guitarist you will find your practice revolves so much around building strength that your fretting hand seems to be in a constant state of tension. This is a common problem and you must practice keeping your hand from being overtightened and stressed.

This not only leads to short-term fatigue but will contribute to longer term issues like pain and arthritis.

There are multiple hand and thumb positions and we need to be mindful of using the right ones. Switch from a muted funky strum where your fingers are held tight to a slow B.B. King style blues solo that drifts across the fretboard.

Practice these contrasts in hand tension to stay more mindful of being relaxed while playing. And while the guitar takes some pain to gain, if it is too much then you need to look at your fretting hand tension and position.

Relaxation and smooth movements are key for achieving speed and dexterity on guitar

speed and relaxation

Making Big Stretches

Moving up the octaves and stretching your hand across three to five frets can be quite challenging. If you are a complete beginner that will almost feel impossible, like pinky strength it takes time to build the skill.

The best way to start is to always play up and down the fretboard with scales and melodies using various barre chords. Then start adding in flourishes with the ring and pinky fingers, slowly conditioning your hand into stretching more.

Playing across the fretboard and using specific hand exercises will provide the basics for playing big chords and making big leaps. However you will also need the real playing experience of these big stretches.

Practice songs that have complicated chords and solos so you can get an idea of how to make big movements in real-time. Also, arpeggios and particular scale patterns such as 3-notes-per-string require challenging stretches for the left

big strecthes on guitar

Notes On The Same Frets: Finger Rolling

Finger rolling is a fretting hand technique that is used for playing and muting adjacent strings. When we are moving to another string on the same fret it can be easy to just let our finger roll to the next placement.

However as we get to the new note we must make sure that our old note is muted, so the flesh of our finger must dampen one string while playing another.

In a perfect world we would use a different finger for each note, and in some cases like shredding that is even stressed. But sometimes it is just not practical to do this and it is just easier to roll the same finger into the new note. If it is done correctly there are times when it is not only fine, but helpful.

Suspended arpeggios are a great way to practice finger rolling. Here's a free pdf with many suspended arpeggios patterns

Try also to play pentatonic scale in third intervals.

Coordinate with the Picking Hand

All these challenges are basically leading up to the ultimate reason you need mastery over your fretting hand, and that is because it must move in sync with the other. Your fretting, hammering, pulling off, muting, rolling, and more must all coordinate with the movement of the picking hand.

You can build all the hand and pinky strength in the world, but it will not matter if you are not capable of using it in time.

Sweep picking is a great way to practice coordination between both hands as that requires the left hand and right to perfectly sync up.

If that is a bit too advanced you can always stick to songs that have a mixture of melody and chords, that way you must pick a melody and strum. That is an easier way to learn to integrate the fretting and picking hand as one.

Besides strength training many of our fretting hand challenges are like the picking aspect.

We need to make sure errant strings are muted while the correct note is played, and this all needs done quickly to keep the song moving. When guitarists focus on speed and skill they often spend hours picking away, when sometimes the secret to better guitar success was in the fretting

Left Hand Practice - Conclusions

This ends our recap on the main challenges for the left-hand, when it comes to developing technique. Be sure to deal with all these aspects in your practice regime.

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