In this new tutorial, we're going to see some of the best alternate picking exercises commonly used by a lot of acoustic and electric guitar shredders to improve their picking technique.
This lesson also provides some useful guidelines for an effective alternate picking practice. Including these cool alternate picking patterns in your practice schedule will be a great help for developing your left-hand and right-hand synchronization and fluidity when playing scales and arpeggios. Are you ready to shred? Ok, let's start!
- Alternate Picking Video Exercise
- Chromatic Picking Exercises
- 2) 1-2-3-4 Spider with 1 String Skip
- 3) 1-2-3-4 Spider with 2 strings skip
- 4) The Deadly Spider
- Picking Exercises On The Pentatonic Scale
- Two cool exercises by John Petrucci
- The Problem Of Inside Picking
- How to Improve Picking Accuracy
- Alternate Picking Exercise: conclusions and useful links
1) The Classic 1-2-3-4 Spider
This is a classic exercise for developing alternate picking precision. Always follow the rule 1 finger for 1 fret, so you'll want to use the index for the 1st fret, the middle for the 2nd, the ring for the 3rd fret and the pinky for the 4th. Once you have this pattern under your belt, try to play the figure all over the fretboard, moving the shape 1 fret up each time.
Ideally, you should play the exercise in two ways: one starting with a downstroke, and one starting with an upstroke, and of course keeping strictly alternate picking for each note of the drill. This rule applies to alternate picking exercises in general, as inverting the starting stroke forces you to face all the different movement possibilities of the picking hand.
You can add variety to the 1-2-3-4 exercise by changing the order of the frets, so you could play the spider with the 1-4-3-2 (index, pinky, ring, middle) or 2-1-3-4 (middle, index, ring, pinky) patterns, or whatever you like. Try to experiment with this variation. You can even add a bit of stretch and play patterns like 1-2-3-5 of 1-3-4-5.
2) 1-2-3-4 Spider with 1 String Skip
Moving across the string is one of the most difficult movements with alternate picking. The two following exercises are conceived to help you practice this particular movement.
3) 1-2-3-4 Spider with 2 strings skip
This exercise emphasizes the movement across the strings, skipping 2 strings every fret. Try to play this sequence one time starting with an upstroke, and the second time starting with a downstroke. You'll notice that it's easier when starting with a downstroke. This is due to the "inside picking" problem, addressed later in this article.
4) The Deadly Spider
This a challenging drill as it forces you to change string every note. When it comes to playing arpeggios on the fretboard, it easy to find this kind of movements.
The pentatonic scale is a great basis for creating cool alternate picking exercise. In fact, the pentatonic scale fingerings often have only 2 frets per string, and this allows a great variety of movements that involve more than one string.
5) Pentatonic Scale Exercise #1
6) Pentatonic Scale Exercise #2
7) Pentatonic Scale Exercise #3
The following exercises are taken from the masterpiece book "Rock Discipline" by John Petrucci, guitar master for Dream Theater. Like the ones before, you should play these patterns all over the fretboard, shifting the shape one fret up at a time. These exercises are incredibly useful for developing a great left-hand right-hand synchronization.
8) John Petrucci Exercise #1
9) John Petrucci Exercise #2
The Problem Of Inside Picking
Probably you'll already notices that it's more difficult picking notes when the pick remains "inside" two strings. Let's read this quote from John Petrucci about this issue:
One of the more difficult techniques for most guitarists is using alternate picking through arpeggios since most of the notes within common arpeggio shapes are arranged in a one-note-per-string manner. When using alternate picking, there will be a few instances that require the pick to execute an up-stroke on a lower string after a down-stroke on a higher string. This "inside the string" picking technique is the most difficult pickstroke to master - John Petrucci - Rock Discipline
10) Inside Picking Exercise
The following exercise has been created to address the inside picking difficulty. This time you should practice the exercise by picking exactly in the way shown on the music sheet (do not invert the first pick stroke). Start with a downstroke and keep alternate picking for all the duration of the exercise. Does it seem easy?
Alternate picking is a cool technique, but it requires particular care to be precise and clean. Here are some general tips that you should always keep in mind while practicing alternate picking exercises.
Always, always, always use a metronome. The metronome is your best friend. Start at low speed, one note per beat, and try to keep the pace, without mistakes or imprecision. Also, try to use the same intensity for each pick stroke. In particular, be sure that your down-strokes and your up-strokes sound equally.
The movement of the right hand should be as minimal as possible. This is the so-called "efficiency of motion". You should move the pick just to hit the string, up and down, without a large movement. One useful exercise to internalize this movement is to down-stroke an open string, and suddenly mute it with the pick, that executes an up-stroke and stop on the string. Then do the same in the opposite direction, play the open string with an up-stroke, and mute it with the down-stroke. This train your right hand in keeping the crossing string action as small as possible.
This is a simple but invaluable tip given by Guthrie Govan: record yourself and then listen to the track carefully. Try to spot mistakes or imprecision. If what you hear is ok, then you can increase the speed of the metronome (that you always use, right?). While playing, you're not fully aware of the sounds you produce, as you have to care about frets, hands, picking and so forth. Recording and listening is a great way to get an impartial feedback on your progress and performance.
When speed increases, is naturally to be a little in tension. You should have your hands always relaxed, you should not feel a tension in tendons or muscles. If this happens, decrease the speed just a bit and check if your hands are more relaxed.
Sometimes try to overshoot your target speed. If you can play comfortably at 180 bpm, and you want to practice for reaching 190 bpm, try to play the exercise at 200 bpm for a while. This pushes your hands to work harder. Then decrease the speed near the target speed (200) and see what happens. Often in this way speed is developed more quickly than increasing bpm without overshooting.
I hope this set of picking exercise will give you something to practice on. As a final tip, I want to say to take your time: it's easy to be fascinated by those incredible shredders out there, but the key to get speed and precision on guitar is to start very slow, focusing on the present moment, one note at a time, and increasing bpm little by little. Here are some useful links to help you further with alternate picking
- Online Drum Machine: this tool is useful to create rhytmic patterns on the fly and use them to practice your exercises
- Right-left hands coordination video: in this video, Kris Norris shows you how to execute the 1-2-3-4 exercise
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