Minor Line Cliché (i i/7 i7/b7 i6/6)

The Minor line cliche is the chord progression i-i/7-i7/b7-i6/6. In the key of C minor it is Cm Cm/B Cm7/Bb Cm6/A, and in the Nashville Number System it is written 1m 1m/7 1m(7)/b7 1m(6)/6.

It is also known as CESH (contrapuntal elaboration of static harmony).

Chords from outside the key of C minor: Cm6/A.

Jump to the chords and audio in C, G, D, A and E

Why it works

One minor chord stays put while a single voice falls by half steps: root, major seventh, minor seventh, sixth. The moving line can be in the bass or inside the chord, and jazzguitar.be describes the inner version as CESH. It gives static harmony a sense of gentle, sinking motion.

Songs that use it

These are the chords as played in each song, in the song's own key.

SongArtistSectionChordsKey
My Funny ValentineFrank Sinatraopening A sectionAm AmMaj7 Am7 Am6A minor
Stairway to HeavenLed Zeppelinintro and verseAm AmMaj9 Am7 D/F#A minor

Minor Line Cliché: Chords and Audio in C, G, D, A and E

Press play to hear each key. The diagrams show the shapes used in the audio, and every chord links to its full page.

More progressions like this one

All guitar chord progressions →

FAQ

What are the chords of the Minor line cliche in each key?

In C minor: Cm Cm/B Cm7/Bb Cm6/A. In G minor: Gm Gm/F# Gm7/F Gm6/E. In D minor: Dm Dm/C# Dm7/C Dm6/B. In A minor: Am Am/G# Am7/G Am6/F#. In E minor: Em Em/D# Em7/D Em6/C#.

Which songs use the Minor line cliche?

Songs that use it include My Funny Valentine by Frank Sinatra, Stairway to Heaven by Led Zeppelin.