Tritone Substitution ii-V-I (ii7 bII7 Imaj7)

The Tritone substitution cadence is the chord progression ii7-bII7-Imaj7. In the key of C major it is Dm7 Db7 Cmaj7, and in the Nashville Number System it is written 2m(7) b2(7) 1(maj7).

It is also known as ii-subV-I.

Chords from outside the key of C major: Db7.

Jump to the chords and audio in C, G, D, A and E

Why it works

The V7 chord is swapped for the dominant a tritone away. The two chords share the same third and seventh, swapped around, so the pull is the same, but the bass now slides down in half steps from ii to I. It gives a smoother, more sophisticated version of ii-V-I.

Songs that use it

These are the chords as played in each song, in the song's own key.

SongArtistSectionChordsKey
The Girl from IpanemaAntonio Carlos JobimA section, endGm7 | Gb7 | Fmaj7F major

Tritone Substitution ii-V-I: Chords and Audio in C, G, D, A and E

Press play to hear each key. The diagrams show the shapes used in the audio, and every chord links to its full page.

Key of C major

Key of G major

Key of D major

Key of A major

Key of E major

More progressions like this one

All guitar chord progressions →

FAQ

What are the chords of the Tritone substitution cadence in each key?

In C major: Dm7 Db7 Cmaj7. In G major: Am7 Ab7 Gmaj7. In D major: Em7 Eb7 Dmaj7. In A major: Bm7 Bb7 Amaj7. In E major: F#m7 F7 Emaj7.

Which songs use the Tritone substitution cadence?

Songs that use it include The Girl from Ipanema by Antonio Carlos Jobim.