A# Phrygian Dominant on Guitar
The A# Phrygian dominant scale is A#, B, C##, D#, E#, F# and G#. It sounds identical to Bb Phrygian dominant, which is the spelling to prefer because it avoids a double sharp. Use this page if your chart is written with sharps.
Play the A# phrygian dominant scale
Use the step menu in the player to switch between the single-string run and the box shapes.
Notes of the A# phrygian dominant scale
| Note | Degree | Interval | Semitones from root |
|---|---|---|---|
| A# | 1 | Root | 0 |
| B | b2 | Minor 2nd | 1 |
| C## | 3 | Major 3rd | 4 |
| D# | 4 | Perfect 4th | 5 |
| E# | 5 | Perfect 5th | 7 |
| F# | b6 | Minor 6th | 8 |
| G# | b7 | Minor 7th | 10 |
Structure
A# phrygian dominant scale notes:
How the phrygian dominant scale is built:
The phrygian dominant scale is built from the degrees 1 b2 3 4 5 b6 b7, which gives the step pattern H-W+H-H-W-H-W-W (W = whole step, H = half step).
Counting in semitones from the root: 0, 1, 4, 5, 7, 8, 10. That makes it a 7-note scale.
It is mode 5 of the Harmonic Minor Scale, so both scales share the same notes from a different starting point.
It is also known as Jewish Scale, Ahava Raba, Freygish and Spanish Phrygian.
A# Phrygian Dominant Scale Guitar Patterns
Static diagrams of every position shown in the player above.
On one string (A)
Box pattern — position 1
Box pattern — position 2
Box pattern — position 3
Box pattern — position 4
Box pattern — position 5
3 notes per string — position 1
3 notes per string — position 2
3 notes per string — position 3
3 notes per string — position 4
3 notes per string — position 5
Chords in the A# phrygian dominant scale
Stacking thirds on each degree of the scale gives these chords.
Related modes
These scales share the same notes as the phrygian dominant scale, starting from a different degree.
The phrygian dominant scale in other keys
Created by
Giancarlo is a musician (teaching guitar since 2000), software engineer, AI consultant and published researcher
