Phrygian Half Cadence (iv/b6 V)

The Phrygian half cadence is the chord progression iv/b6-V. In the key of C minor it is Fm/Ab G, and in the Nashville Number System it is written 4m/b6 5.

It is also known as Phrygian cadence.

Chords from outside the key of C minor: G.

Jump to the chords and audio in C, G, D, A and E

Why it works

In a minor key, iv in first inversion moves to V, so the bass falls a half step from b6 to 5 while the top voice rises to meet it. That half step in the bass is the same move as the Phrygian mode's closing step, hence the name. The phrase stops on an open, old-sounding question, and Baroque composers often used it to link slow and fast movements.

Songs that use it

These are the chords as played in each song, in the song's own key.

SongArtistSectionChordsKey
Brandenburg Concerto No. 3, second movementJ. S. Bachthe whole movement is these two chordsAm/C BE minor
Schau, lieber Gott, wie meine Feind (chorale)J. S. Bachlast two chords of the excerptAm/C BE minor
Die MainachtFranz Schubertmm. 1-10iv6 V

Phrygian Half Cadence: Chords and Audio in C, G, D, A and E

Press play to hear each key. The diagrams show the shapes used in the audio, and every chord links to its full page.

Key of C minor

Key of G minor

Key of D minor

Key of A minor

Key of E minor

More progressions like this one

All guitar chord progressions →

FAQ

What are the chords of the Phrygian half cadence in each key?

In C minor: Fm/Ab G. In G minor: Cm/Eb D. In D minor: Gm/Bb A. In A minor: Dm/F E. In E minor: Am/C B.

Which songs use the Phrygian half cadence?

Songs that use it include Brandenburg Concerto No. 3, second movement by J. S. Bach, Schau, lieber Gott, wie meine Feind (chorale) by J. S. Bach, Die Mainacht by Franz Schubert.